The freaks come out at night – Bounce Queen Big Freedia visits L.A. and the sissies’ strange path to the spotlight

Tashi Condelee takes the stage whilst Big Freedia does her thang Wednesday night I was mulling my options about what exciting way to spend my evening. Since my brother won't let me come to his house to play Battlefield 2 - Bad Company, I was weighing whether or not to go to the Support Your … Continue reading The freaks come out at night – Bounce Queen Big Freedia visits L.A. and the sissies’ strange path to the spotlight

Ya Hoidz Me? – Talk About Bounce Music

For some reason, the Bounce scene, born nearly 20 years ago, seems to be undergoing a minor critical reassessment as it inspires curiosity in a new generation of fans amongst the young, the Euro, the old and new. I can only guess why. I suspect that part of it is a development of the ongoing, … Continue reading Ya Hoidz Me? – Talk About Bounce Music

I feel like bootin’ up — The Take Fo’ story

Take Fo' Records is a little known (outside of New Orleans) music label that truly broke ground with its motley roster of artists and progressive attitude, yet it's never received adequate recognition for its pioneering role in music. Whereas New Orleans's other big labels: Big Boy, Cash Money, Mobo,¬†Parkway Pumpin', Untouchable, Tombstone and No Limit … Continue reading I feel like bootin’ up — The Take Fo’ story

Sissy Rappers – Tell me what a sissy know

In hip-hop circles, you often encounter self-appointed arbiters of hip-hop taste who decry certain supposed negative trends in hip-hop. One frequent target for these musical Taliban is the prevalence of "bling," which is regarded as a new corruption of the scene (conveniently ignoring Gucci-clad, Rolls Royce-flaunting, "paid in full"-singing Eric B and Rakim or the … Continue reading Sissy Rappers – Tell me what a sissy know