The freaks come out at night – Bounce Queen Big Freedia visits L.A. and the sissies’ strange path to the spotlight

Tashi Condelee takes the stage whilst Big Freedia does her thang Wednesday night I was mulling my options about what exciting way to spend my evening. Since my brother won't let me come to his house to play Battlefield 2 - Bad Company, I was weighing whether or not to go to the Support Your … Continue reading The freaks come out at night – Bounce Queen Big Freedia visits L.A. and the sissies’ strange path to the spotlight

Parkway Pumpin – Be Pumpin’ Hits Like its Motown

Although many independent labels appeared in the wake of New Orleans's 1991 bounce explosion, Parkway Pumpin' was one of the first. It was also one of the most influential stables of talent, although the limited finances of KLC (the man behind the boards) resulted in precious few recordings. When Master P relocated No Limit from Richmond, … Continue reading Parkway Pumpin – Be Pumpin’ Hits Like its Motown

Big Boy Records

For several years in the '90s, before Master P moved to New Orleans and gobbled up most of the talent of the legendary Parkway Pumpin, Big Boy Records was one of the main creative and commercial rivals to uptown's fledgling Cash Money. Over the course of the next few years, they released some of New Orleans' … Continue reading Big Boy Records

Ya Hoidz Me? – Talk About Bounce Music

For some reason, the Bounce scene, born nearly 20 years ago, seems to be undergoing a minor critical reassessment as it inspires curiosity in a new generation of fans amongst the young, the Euro, the old and new. I can only guess why. I suspect that part of it is a development of the ongoing, … Continue reading Ya Hoidz Me? – Talk About Bounce Music