In 1949 it was adapted into a feature film that was co-written by Brecher and Groucho Marx. That same year it also debuted as a television series starring a pre-Honeymooners Jackie Gleason in the title role that ran for 26 episodes (Bendix’s contract with RKO prevented him from appearing on NBC TV). It returned in 1953 with Bendix again in the title role and again with Marx as a writer. It proved much more successful and ran for six seasons until 1958, when it was also adapted into a Dell comic book.
The series followed the day-to-day doings of the working class, Irish-American Riley family, nominally headed by the bumbling Chester Riley, who supported his brood by working, like many post-War Southern Californians, at an aircraft plant, in this case as a wing riveter at the fictional Cunningham Aircraft. In reality, Chester Riley was the dimmest bulb in the drawer, and usually misinformed by Gillis.
As originally developed (as The Flotsam Family), the title role was to have been played by Groucho Marx but the sponsors had difficultly envisioning Marx’s brainy, unhinged comedy being reigned in for the much straighter role as the somewhat dense head-of-household. Bendix was cast after Brecher saw his appearance in 1942’s McGuerins from Brooklyn and it was renamed.
If you ask me, the humor, unlike that of a lot of radio sitcoms, still holds up today (the same thing can be said about The Great Gildersleeve). The sitcom formula of the confounded father who barely maintains even a semblance of authority over children can be seen and heard in comedies like The Honeymooners, The Flintstones, All in the Family, Robin Harris’s Bebe’s Kids routine, Married… with Children, The Bernie Mac Show and The War at Home.
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Eric Brightwell is an adventurer, writer, rambler, explorer, cartographer, and guerrilla gardener who is always seeking writing, speaking, traveling, and art opportunities — or salaried work. He is not interested in generating advertorials, clickbait, listicles, or other 21st century variations of spam.
Brightwell has written for Angels Walk LA, Amoeblog, Boom: A Journal of California, diaCRITICS, Hidden Los Angeles, and KCET Departures. His art has been featured by the American Institute of Architects, the Architecture & Design Museum, the Craft & Folk Art Museum, Form Follows Function, Los Angeles County Store, the book Sidewalking, Skid Row Housing Trust, and 1650 Gallery.
Brightwell has been featured as subject in The Los Angeles Times, Huffington Post, Los Angeles Magazine, LAist, Eastsider LA, Boing Boing, Los Angeles, I’m Yours, and on Notebook on Cities and Culture. He has been a guest speaker on KCRW‘s Which Way, LA? and at Emerson College.
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