I was wondering whilst trying to fall asleep the other night why I haven’t ever looked up any Pulp videos on Youtube before. Then I remembered that I had a dvd called Hits, so what else could there be? A few seconds later, a vacuum tube in my mind sparked to life and I recalled (to myself) that Jarvis is at best pretty ambivalent about the early years, so I was excited to find a few early videos.
Pulp was formed in 1978 by 15-year-old Jarvis Cocker, a student at a Sheffield City Secondary School. In 1980 they, amazingly, recorded a Peel Session. I only just found out that it’s available on CD, so I haven’t heard it, but it’s supposedly pretty in-line with Sheffield’s reigning synth-rock sound of the time.
In 1982 the still ingenuous, eager, and virginal Jarvis and crew recorded It.
The record reflected a change in direction toward a folky, jangly sound with wide-eyed lyrics about love and being shy all sung rather off-key but kind of managing to sound like early Leonard Cohen. The following year saw the single “My Lighthouse.
“My Lighthouse” and “Everybody’s Problem” (both 1983)
And, at the encouragement of someone at the label to record more commercial stuff in the style of Wham!, they followed it with the rare, and not half-bad Everybody’s Problem.
“This was a leap into semi-professionalism. It was made by someone who claimed to have done the lighting on Chariots Of Fire, which impressed us a great deal at the time. In typical Fire fashion, we could only afford one roll of film, so he had to keep winding the film backwards and forwards for different bits of the song. I constructed the set in an abandoned warehouse across the road from the factory I was living in at the time. I converted an inspection pit into a kind of sunken bedroom, then filled about 200 freezer bags full of coloured liquid for another bit elsewhere. For some reason there was a horse skeleton in the building so that ended up in the film too.” -Jarvis Cocker
They released the single “Master of the Universe” and the album Freaks in 1987 to resounding commercial and critical disinterest.
Jarvis dissolved the band and moved to London to study film.
AFTER THE SUMMER OF LOVE
Two years later a new line-up formed.
In the meantime, they made videos for “My Legendary Girlfriend” and “Countdown.”
and three singles:
Their next record, 1994’s His ‘n’ Hers, hit #9 in the UK Charts and the All Music Guide gave 4 1/2 stars to what they erroneously described as “Pulp’s debut” when, in fact, they’d by then already released four albums and two compilations of non-album material.
A short time later, this German-based website devoted to Pulp (the only one in existence back then in those early days of the internet becoming popular) ceased to exist, its owner disgusted with Pulp’s new, commercial turn.
Eric Brightwell is an adventurer, writer, rambler, explorer, cartographer, and guerrilla gardener who is always seeking writing, speaking, traveling, and art opportunities — or salaried work. He is not interested in writing advertorials, clickbait, listicles, or other 21st century variations of spam. Brightwell’s written work has appeared in Amoeblog, diaCRITICS, and KCET Departures. His work has been featured by the American Institute of Architects, the Architecture & Design Museum, the Craft & Folk Art Museum, Form Follows Function, Los Angeles County Store, Skid Row Housing Trust, and 1650 Gallery. Brightwell has been featured in the Los Angeles Times, Huffington Post, Los Angeles Magazine, LAist, Eastsider LA, Boing Boing, Los Angeles, I’m Yours, and on Notebook on Cities and Culture. He has been a guest speaker on KCRW‘s Which Way, LA? and at Emerson College. Art prints of his maps are available from 1650 Gallery and on other products from Cal31. He is currently writing a book about Los Angeles and you can follow him on Facebook, Instagram, and Twitter.
Click here to offer financial support and thank you!