It concerns an established actor, Beat Takeshi, and his crossing paths with a struggling actor, Takeshi Kitano. A significant number of the cast play dual roles, which I was embarrassingly slow to comprehend, given the fairly confusing abstractions within film. As Beat Takeshi, Kitano plays himself as boorish and self-important and satirizes his own artistic conventions to comic effect. In his film-within-a-film, he plays a bandaged yakuza character. Annoyed by cicadas at his Okinawan hideaway, his character “unexpectedly” shoots his girlfriend before turning the gun on himself.
Eric Brightwell is an adventurer, writer, rambler, explorer, cartographer, and guerrilla gardener who is always seeking writing, speaking, traveling, and art opportunities — or salaried work. He is not interested in writing advertorials, clickbait, listicles, or other 21st century variations of spam. Brightwell’s written work has appeared in Amoeblog, diaCRITICS, and KCET Departures. His work has been featured by the American Institute of Architects, the Architecture & Design Museum, the Craft & Folk Art Museum, Form Follows Function, Los Angeles County Store, Skid Row Housing Trust, and 1650 Gallery. Brightwell has been featured in the Los Angeles Times, Huffington Post, Los Angeles Magazine, LAist, Eastsider LA, Boing Boing, Los Angeles, I’m Yours, and on Notebook on Cities and Culture. He has been a guest speaker on KCRW‘s Which Way, LA? and at Emerson College. Art prints of his maps are available from 1650 Gallery and on other products from Cal31. He is currently writing a book about Los Angeles and you can follow him on Facebook, Instagram, and Twitter.
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