NEW YORK ERA
When the program debuted, it was produced in New York City. Clover was portrayed by actor Anthony Ross, a New York native and veteran of film and stage. His greatest exposure came playing the role of the Gentleman Caller in the 1944 original run of Tennessee Williams‘ The Glass Menagerie.
The series’ theme song was an instrumental rendition of Richard Rodgers and Lorenz Hart‘s “Manhattan” and it was scored by Robert Stringer, a Nebraska-born composer who primarily wrote stock music for B-films, nearly always uncredited.
It featured scripts by Wisconsin-born (and later blacklisted) Peter Lyon, production by Lester Gottlieb, direction (and later production) by direction by Casey, Crime Photographer‘s John Dietz. Bern Bennet was the original announcer.
Beginning on 7 July 1949, with the thirteenth episode, the series was broadcast from CBS’s Hollywood production facilities. Elliot Lewis, later known as “Mr. Radio” for his long string of successes, took over direction, his first effort in that role. The Manhattan native was a stickler for realism and was quoted as saying, “You should hear the city constantly… even the people in New York are noisy.”
New scripts were written by Morton S. Fine and David Friedkin, the same writing team behind another great (and underrated) program, Crime Classics. Though the restrictions of a thirty minute format necessitated a certain degree formula in the plots, the narration was pure, hardboiled poetry. The episodes invariably ended with the solution of a murder mystery and a denouement occurring in the pre-dawn hours with Clover reflecting poetically and cynically about his beat.
Wilbur Hatch and Alexander Courage (names known to Trekkies) provided the music, Joe Walters served as the new announcer and David Light, Ralph Cummings and Ross Murray provided the rich tapestry of sound effects.
Ross’s replacement was Larry Thor, a Canadian actor with a great voice who’d previously served as announcer on CBS’s The Green Lama and The Adventures of Rocky Jordan. He remained in the role until the series’ end on August 1, 1954, 212 episodes later. After the end of Broadway is My Beat he had a long career on television, frequently playing cops. He died March 16, 1976 (aged 59) in Santa Monica.
Left To Right – Wally Maher (Sgt. Matt Grebb) and Bill Johnstone (Lt. Ben Guthrie) of The Line-Up; Edmond O’Brien of Yours Truly, Johnny Dollar; Charles Calvert (Sgt. Tartaglia) and Larry Thor (Danny Clover) of Broadway Is My Beat; and Ben Wright (Inspector Black) and Raymond Lawrence (Sgt. Moffett) of Pursuit.
Each episode began with detective Clover introducing himself and describing his beat thusly, “from Times Square to Columbus Circle — the gaudiest, the most violent, the lonesomest mile in the world.” Supporting characters included Sgt. Gino Tartaglia (played by Charles Calvert) and Sgt. Muggavan (Jack Kruschen). Frequently featured actors Anthony Barrett, Barney Phillips, Betty Lou Gerson, Edgar Barrier, Harry Bartell, Herb Ellis, Hy Averback, Irene Tedrow, Lamont Johnson, Lawrence Dobkin, Martha Wentworth, Mary Jane Croft and Sheldon Leonard.
Since I wrote this, Kristjan Thor, Larry Thor’s granddaughter has written me. She informed me that Thor also released an album of children’s music called Galloping on my dinosaur and other fun songs for children. Click on the title to check out a page of mp3s and wav files ripped from vinyl.